A string of strange occurrences prompt a dedicated office worker to investigate the nature of his self contained reality

Izumiko Suzuhara (15) was born and raised at Tamakura Shrine, and always destroys any electrical device she touches. She decides to try living in the city, and enrolls in Houjou High School in Tokyo. With her are her guardians son and Izumiko's childhood friend Miyuki Sagara. While she's there, an entity called "Himegami" appears. She learns she is something called a "kami" a vessel for a shinto spirit, while Miyuki is a "yamabushi", a warrior meant to protect the "kami."

The story of the cross destiny of George Orwell (1903-50) and Aldous Huxley (1894-1963), the genius authors of the two most groundbreaking novels of anticipation of the 20th century: 1984 and Brave New World; two lucid witnesses of the maledictions of the modern world whose novels have found a considerable echo with our time.

Abuse of Perfect Data is a moving-image exploration of generational memory, using 16mm archival footage shot by the artist’s grandfather in the 1950s–60s. The film juxtaposes analog slowness with digital acceleration, reflecting on youth anxiety, cultural inheritance, and the transformation of personal archives in the age of data.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

Mo Xiangwan, a determined showbiz agent, faces a career setback that challenges her to rediscover her purpose. After losing two key clients due to a strategic mistake, she learns from veteran actors and shifts her focus to creating impactful projects. Along the way, she meets Mo Bei, a successful commercial lawyer, as she strives to rebuild her career and chase her dreams.

Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.

P4: are the new recruits in the violent crimes unit at Gangnam Police Station. The journey of four young cops as they fumble, learn, fall in love and find their way to becoming people the citizens can trust.

Melodrama about a man cursed with immortality, who tries to declare his undying love for a depressed actress.