Abuse of Perfect Data is a moving-image exploration of generational memory, using 16mm archival footage shot by the artist’s grandfather in the 1950s–60s. The film juxtaposes analog slowness with digital acceleration, reflecting on youth anxiety, cultural inheritance, and the transformation of personal archives in the age of data.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

Mo Xiangwan, a determined showbiz agent, faces a career setback that challenges her to rediscover her purpose. After losing two key clients due to a strategic mistake, she learns from veteran actors and shifts her focus to creating impactful projects. Along the way, she meets Mo Bei, a successful commercial lawyer, as she strives to rebuild her career and chase her dreams.

P4: are the new recruits in the violent crimes unit at Gangnam Police Station. The journey of four young cops as they fumble, learn, fall in love and find their way to becoming people the citizens can trust.

In the heart of Binshe village, Shaoxing, an ancient tradition unfolds each year — a three-day celebration honouring a local goddess with the haunting melodies of The Story of Pipa, performed exclusively by female Yue opera artists. As the villagers intertwine myth, history, and devotion, the lines between reality and legend blur, revealing a tale where music bridges worlds and ancestral echoes linger on sacred stones.

All In is a 2003 South Korean television drama series that aired on SBS from January 15 to April 3, 2003 on Wednesdays and Thursdays at 21:55 for 24 episodes. Inspired by the life of professional poker player Jimmy Cha, it starred Lee Byung-hun and Song Hye-kyo in a story about one's man's rise through the fiercely competitive world of casino gambling as he clashes with his rivals over money, success, and love.The drama was a ratings success in South Korea, with its final episode reaching a peak viewership rating of 47.7%, which is the 42nd highest-rated Korean drama episode of all time. It also won several awards, notably the Grand Prize for Lee Byung-hun at the 2003 SBS Drama Awards.

“All In” tells the emancipation story of a young Muslim woman who immerses herself in the male-dominated poker milieu in order to realize her dream of becoming an astronaut.

从“纳茨百瑞救援中心”刚刚认领回来的猫咪，被女主人带回了家。其实这只猫咪的嘴里住着一个老头。他观察着女主人的一举一动，更偷窥着女主人的一颦一笑。可当他看见墙洞中的小女人时，却表现得异常排斥和厌恶。他顶着猫咪的身体跟女主人亲密接触，深深沉浸在拥抱过后的意淫中。终于，他不再甘于待在猫咪的口腔里，开始从猫咪的牙缝中使劲往外钻，可还是失败了。最后，他居然从猫咪的屁眼里挤了出来。来到外面的世界之后，他对一切都无限惶恐。看见小女人的他，更是惊慌失措地急忙跑掉。当老头跌跌撞撞地来到女主人洗澡的浴室时，居然跟她羞涩的打招呼。女主人大叫，老头无处藏身，慌乱中只能又钻回猫咪的口腔里。此时，他在猫咪的口中看见了小女人。面对小女人的表白，他却无所适从。小女人伤心的离开了，可是女主人却拿着扫把追打着小女人。当老头鼓起勇气英雄救美时，发现这才是他的真爱。 　　这部由英国Dice Productions公司2011年制作发行的二维动画短片，荣获2012年英国多项动画大奖。

NieR:Orchestra Concert 12024 [ the end of data ] contains new pre-recorded readings from the English voice actors of 2B and 9S set directly after the events of NieR:Automata.